2024-25 Season Artists
Violin & Artistic Director
Angella Ahn
Angella Ahn, graduate of the Juilliard School, is Associate Professor of Violin and Viola at Montana State University. In her teaching, she leverages her background, having studied with foremost violin pedagogue Dorothy DeLay, and her decades-long performance career. With her sisters in the Ahn Trio, she has recorded nine albums, performed in over 35 countries and every state in the U.S., playing at diverse venues such as Buenos Aires’ Teatro Colon, Vienna’s Musikverein, New York’s Lincoln Center, and the White House. In her other collaborations, she has been featured with such musical luminaries as Phil Aaberg, Darol Anger, Emmylou Harris, and the late John Prine.
Ms. Ahn is active in the community, serving her second term on the Montana Arts Council, an agency of state government. She is the Artistic Director of Montana Chamber Music and on the Advisory Board of Intermountain Opera. She can be seen in “Angella Ahn & Friends” on PBS 11th & Grant with Eric Funk, as well as in The Hive, a film produced by Tippet Rise Art Center.
Piano
Jean Schneider
Jean Schneider, piano, began her piano studies at age seven, and by the age of fifteen had performed three times as soloist with the Philadelphia Orchestra. She has been heard in recital in the U.S. and Europe, and on the radio in Germany, New York, Los Angeles, Chicago, and on NPR’s Performance Today. She has collaborated with numerous artists in concerts at Tanglewood, Aspen, and Norfolk Festivals, the Banff Centre, and the Sarasota Music Festival, where she is Associate Piano Faculty. Jean currently lives in New York City, where she performs as soloist and chamber musician.
String Quartet
Aizuri Quartet
Emma Frucht and Miho Saegusa, Violins
Brian Hong, Viola
Caleb van der Swaagh, Cello
Praised by The Washington Post for “astounding” and “captivating” performances that draw from its notable “meld of intellect, technique and emotions,” the Aizuri Quartet was named the recipient of the 2022 Cleveland Quartet Award by Chamber Music America, with other honors including the Grand Prize at the 2018 M-Prize Chamber Arts Competition and top prizes at the 2017 Osaka International Chamber Music Competition in Japan and the 2015 Wigmore Hall International String Quartet Competition in London.
The Quartet’s sophomore album, Earthdrawn Skies, was released in 2023. Featuring music of Hildegard of Bingen, Komitas Vartapet, Eleanor Alberga, and Jean Sibelius, Earthdrawn Skies was praised by NPR Music as an album that “convincingly connects the dots in wildly diverse music stretching over eight centuries…arousing solemn contemplation, cosmic curiosity, folksy delight and introspective scrutiny.” Aizuri’s debut album, Blueprinting, featuring works written for the Quartet by five American composers, was released by New Amsterdam Records to critical acclaim (“In a word, stunning” —I Care If You Listen), nominated for a 2019 GRAMMY Award, and named one of NPR Music’s Best Classical Albums of 2018.
Aizuri Quartet have previously performed in an eclectic variety of settings: In addition to the world’s great chamber music series, Aizuri opened five nights of performances with legendary Indie Rock band Wilco with quartets by Gabriella Smith, Paul Wiancko, Rhiannon Giddens, and George Meyer at New York’s United Palace Theatre. Aizuri appeared with Wilco on CBS’s The Tonight Show with Steven Colbert. With Milwaukee Symphony Orchestra, conducted by Ken David Masur, Aizuri Quartet performed John Adams’s string quartet concerto Absolute Jest in 2022. During the summer of 2023, they appeared in Kronos Quartet’s Kronos Festival at SFJAZZ, where they played works commissioned by Kronos’s groundbreaking 50 For the Future initiative.
String Quartet
Dover Quartet
Joel Link, violin
Bryan Lee, violin
Julianne Lee, viola
Camden Shaw, cello
Named one of the greatest string quartets of the last 100 years by BBC Music Magazine and “the next Guarneri Quartet” by the Chicago Tribune, the two-time GRAMMY-nominated Dover Quartet is one of the world’s most in-demand chamber ensembles. The group’s awards include a stunning sweep of all prizes at the 2013 Banff International String Quartet Competition, grand and first prizes at the Fischoff Chamber Music Competition, and prizes at the Wigmore Hall International String Quartet Competition. Its honors include the prestigious Avery Fisher Career Grant, Chamber Music America’s Cleveland Quartet Award, and Lincoln Center’s Hunt Family Award. The Dover Quartet is the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music and Quartet in Residence at Northwestern University’s Bienen School of Music.
The Dover Quartet’s 2024-25 season includes premiere performances throughout North America of newly commissioned works by Jerod Impichchaachaaha’ Tate, a citizen of the Chickasaw Nation and a leading composer of American Indian classical music; collaborative performances with preeminent artists that include pianists Michelle Cann, Marc-André Hamelin, and Haochen Zhang; and tours to Europe and Asia. Recent collaborators of the sought-after ensemble include Leif Ove Andsnes, Emanuel Ax, Inon Barnaton, Ray Chen, Anthony McGill, Edgar Meyer, the Pavel Haas Quartet, Roomful of Teeth, and Davóne Tines. The quartet has also recently premiered works by Mason Bates, Steven Mackey, Marc Neikrug, and Chris Rogerson.
The Dover Quartet’s GRAMMY-nominated recordings include its highly acclaimed three-volume recording, Beethoven Complete String Quartets (Cedille Records), which was hailed as “meticulously balanced, technically clean-as-a-whistle and intonationally immaculate” (The Strad), and The Schumann Quartets (Azica Records).
The Dover Quartet was formed at Curtis in 2008; its name pays tribute to Dover Beach by fellow Curtis alumnus Samuel Barber. The Dover Quartet proudly endorses Thomastik-Infeld strings.
Piano
Albert Cano Smit
Pianist Albert Cano Smit is already becoming an audience favorite for his performances as soloist with orchestra and in recital. This past season, he performed the Brahms Concerto No. 2 with the Las Vegas Philharmonic conducted by Donato Cabrera, and he has also appeared with the San Diego Symphony, Montreal Symphony, Orquesta Filarmónica de Boca del Río, Barcelona Symphony and Catalonia National Orchestra, Manchester Camerata, Nottingham Youth Orchestra, and American Youth Symphony.
Mr. Cano Smit won First Prize at the 2019 Young Concert Artists International Auditions. He also won First Prize at the 2017 Walter W. Naumburg Piano Competition, which presented him in recital at Carnegie’s Weill Recital Hall. Most recently, Mr. Cano Smit was awarded the 2020 Arthur Rubinstein Piano Prize from The Juilliard School.
This season, Mr. Cano Smit will appear in the Young Concert Artists Series at New York’s Merkin Concert Hall and the Kenney Center’s Terrace Theater. Invitations this season include Orquesta Filarmónica de Boca del Río, the Barcelona Symphony and Catalonia National Orchestra, Elgin Symphony Orchestra, Onstage Ogden, the Artists Series Concerts of Sarasota, Abbey Church Events, Chamber on the Mountain, Bach Festival Montreal, Ithaca College, University of Florida Performing Arts, Queens College, and the Krannert Center for the Performing Arts. He has also performed at the Herbst Theatre in San Francisco, and for the Steinway Society The Bay Area in San Jose, New York’s Salon de Virtuosi, and Bravo! Vail, and has been in residency at the Tippet Rise Art Center. He has given recitals abroad in Xiamen, China, in France at the Wissembourg Festival and Fondation Louis Vuitton in Paris, at Germany’s Rheingau Music Festival, and throughout Spain. Mr. Cano Smit is also a sought-after collaborative pianist, and has toured with violinist William Hagen in venues throughout the U.S. and in Germany, and with flutist Anthony Trionfo he has performed across the United States.
Mr. Cano Smit is currently pursuing his Artist Diploma with Robert McDonald at The Juilliard School. Previous teachers include YCA alumnus Ory Shihor, Graham Caskie and Marta Karbownicka. He has benefited from extensive artistic advice by YCA alumni Richard Goode and Jean-Yves Thibaudet, the latter with whom he gave four-hand performances at Zipper Hall in Los Angeles and Wallis Annenberg Center Hall in Beverly Hills. Mr. Cano Smit is an alumnus of both the Colburn School and the Verbier Festival Academy.
Violin
William Hagen
William Hagen has performed as soloist, recitalist, and chamber musician across the United States, Europe, and Asia. In 2021, William makes his debuts with the Chicago Symphony Orchestra at the Ravinia Festival and the Chamber Orchestra of Europe at the Rheingau Music Festival, and appears at the Santa Fe Chamber Music Festival.
As soloist, William has appeared with the Detroit Symphony, San Francisco Symphony, Seattle Symphony, and regularly appears as soloist at the Aspen Music Festival. In Europe, he has soloed with the Frankfurt Radio Symphony (HR Sinfonieorchester), the Vienna Radio Symphony (ORF Radio Sinfonieorchester Wien), and the major orchestras of Belgium, including the Brussels Philharmonic, National Orchestra of Belgium, and the Orchestre Philharmonique Royal de Liège. William has also soloed in Japan with the Yokohama Sinfonietta and the Sendai Philharmonic.
As recitalist and chamber musician, William has performed at venues such as Wigmore Hall and the Louvre, and collaborated with artists such as Steven Isserlis, Gidon Kremer, Edgar Meyer, and Tabea Zimmerman, among others. He maintains an active schedule on both sides of the Atlantic, making frequent trips to Europe and cities around the US to play a wide range of repertoire.
In 2019, William released his debut album, “Danse Russe,” with his good friend and frequent collaborator, pianist Albert Cano Smit. The album is available on all streaming platforms.
A native of Salt Lake City, Utah, William began playing the violin at the age of 4, studying with Natalie Reed and then Deborah Moench. He studied with Itzhak Perlman and Catherine Cho at the Juilliard School, Christian Tetzlaff at the Kronberg Academy, and was a longtime student of Robert Lipsett, studying with Mr. Lipsett for 11 years both at the Colburn Community School of Performing Arts and at the Colburn Conservatory of Music. In 2015, William won 3rd prize at the Queen Elisabeth Competition in Brussels.
William performs on the 1732 “Arkwright Lady Rebecca Sylvan” Antonio Stradivari, on generous loan from the Rachel Barton Pine Foundation.
Piano
Viktor Valkov
Winner of the 2015 Astral Artists National Auditions, and Gold medalist at the 2012 New Orleans International Piano Competition, Viktor Valkov has been highly acclaimed by the critics as “lion of the keyboard” and “sensational”. Among numerous chamber music and solo appearances, during the last few concert seasons Mr.Valkov also performed with the San Antonio Symphony Orchestra, Springfield Symphony Orchestra, Louisiana Philharmonic Orchestra, Baton Rouge Symphony Orchestra, Acadiana Symphony Orchestra, Salt Lake Symphony, and West Virginia Symphony Orchestra.
Since 2002 Valkov has given a number of recitals in USA, Japan, China, Haiti, England, Germany, Italy, Norway, Greece, Bulgaria, and Macedonia. In Bulgaria, Viktor Valkov appeared in performances with most of the major orchestras and at most of the important music festivals. In 2003, he received an invitation from the New Symphony Orchestra, and conductor Rossen Milanov, to perform Dimitar Nenov’s Grande Piano Concerto. Thus he became the fifth pianist to perform that concerto and the only one to do the entire version. In 2007, Mr.Valkov made his debut with the Sofia Philharmonic Orchestra.
Mr.Valkov’s concert activities reflect a vast interest in the chamber music repertoire, as well as lesser known piano music. He frequently performs with the Bulgarian cellist, Lachezar Kostov, in a cello and piano duo. Both being deeply interested in broadening the repertoire for that medium, they often include in their programs composers like Kabalevsky, Roslavetz, Schnittke, Saint-Saens (the Second cello Sonata), and others. Their close friendship and professional collaboration began in 2000. In 2009, the Kostov-Valkov Duo gave their Carnegie Hall debut at Zankel Hall. In 2011 they won the Liszt-Garisson International Competition, where they were awarded First Prize, the overall Liszt Prize as well as all the special prizes in the collaborative artists category.
As a solo performer one of Mr.Valkov’s latest projects featured Busoni’s Fantasia Contrappuntistica, Beethoven’s Hammerklavier Sonata, and Mussorgsky’s Pictures at an Exhibition as the focal point of his concert programs. During the 2011-2012 Viktor Valkov presented a program of music from the 1600’s including composers like Froberger, L Couperin, Frescobaldi, Buxtehude and selections from the Fitzwilliam Virginal Book.
Mr.Valkov has made a number of recordings for the Bulgarian National Radio archive, many of which have been broadcast. He has also recorded for Bulgarian National Television and Macedonian Radio and Television. Since 2008 he has recorded albums for a number of labels including NAXOS, GrandPiano, Toccata Classics, Albany Records, Summit Records, Parma Recordings, Bridge Records, and Acis Records.
Viktor Valkov is currently an Associate Professor of Piano at the University of Utah in Salt Lake City.
Brass Quartet
The Westerlies
The Westerlies, “an arty quartet…mixing ideas from jazz, new classical, and Appalachian folk” (New York Times) are a New York-based brass quartet comprised of Riley Mulherkar and Chloe Rowlands on trumpet, and Andy Clausen and Addison Maye-Saxon on trombone. From Carnegie Hall to Coachella, The Westerlies navigate a wide array of venues and projects with the precision of a string quartet, the audacity of a rock band, and the charm of a family sing-along.
Formed in 2011, the self-described “accidental brass quartet” takes its name from the prevailing winds that travel from the West to the East. “Skilled interpreters who are also adept improvisers” (NPR’s Fresh Air), The Westerlies explore jazz, roots, and chamber music influences to create the rarest of hybrids: music that is both “folk-like and composerly, lovely and intellectually rigorous” (NPR Music).
Violin
Elena Urioste
Elena Urioste is a musician, yogi, writer, and entrepreneur (which, incidentally, is a word she spells incorrectly every single time), as well as a lover of nature, food, animals, and connecting with other human beings.
As a violinist, Elena has given acclaimed performances as soloist with major orchestras throughout the United States, including the Philadelphia, Cleveland, and Minnesota Orchestras; the New York, Los Angeles, and Buffalo Philharmonics; the Boston Pops; and the Chicago, Boston, Dallas, San Francisco, San Diego, National, Atlanta, Baltimore, and Detroit Symphony Orchestras, among many others. Abroad, Elena has appeared with the London Philharmonic, Hallé, Philharmonia, CBSO, Orchestra of Opera North, and Royal Liverpool Philharmonic Orchestras; the BBC Symphony, Philharmonic, Scottish Symphony Orchestra, and National Orchestra of Wales; as well as the Chineke! Orchestra, Malaysian Philharmonic, Orchestre National de Lille, Edmonton Symphony, Würzburg Philharmonic, and Hungary’s Orchestra Dohnányi Budafok and MAV Orchestras. She has collaborated with celebrated conductors Sir Mark Elder, Yannick Nézet-Séguin, Vasily Petrenko, Christoph Eschenbach, Robert Spano, Karina Canellakis, and Gábor Takács-Nagy. She has performed as a featured soloist in Carnegie Hall’s Stern Auditorium, the Concertgebouw, and the BBC Proms at the Royal Albert Hall; and has given recitals at the Wigmore Hall, Carnegie Hall’s Weill Recital Hall, Kennedy Center, Konzerthaus Berlin, Sage Gateshead, Bayerischer Rudfunk Munich, and Mondavi Center. Elena is a former BBC New Generation Artist (2012-14) and has been featured on the covers of Strings, Symphony, and BBC Music magazines.
Upcoming and recent musical highlights include the release of multiple studio albums with pianist Tom Poster, Le Temps retrouvé (2024), From Brighton to Brooklyn (2022), and THE JUKEBOX ALBUM (2021); a televised performance with the BBC NOW at the 2023 BBC Proms; and critically acclaimed debuts with the Dallas and San Diego Symphony Orchestras. 2024 saw the release of a new studio album for the Kaleidoscope Chamber Collective: Brahms & Contemporaries, Vol. I, featuring piano quartets of Brahms and Le Beau. Elena also features as soloist on Max Richter’s The New Four Seasons: Vivaldi Recomposed, recorded on period instruments; and in Samuel Coleridge-Taylor’s Violin Concerto and Romance, released on Chineke! Records in autumn 2022.
An avid chamber musician, Elena is the founder and Artistic Director of Chamber Music by the Sea, an annual festival on Maryland’s Eastern Shore. She has been a featured artist at the Marlboro, Ravinia, La Jolla, Bridgehampton, Moab, and Sarasota Music Festivals, as well as Open Chamber Music at Prussia Cove, the Cheltenham Music Festival, Switzerland’s Sion-Valais International Music Festival, and the Verbier Festival’s winter residency at Schloss Elmau. Elena has collaborated with luminaries such as Mitsuko Uchida, Kim Kashkashian, and members of the Guarneri Quartet, and performs extensively in recital with pianists Tom Poster and Michael Brown. She is the co-director of the Kaleidoscope Chamber Collective, appointed Associate Ensemble at Wigmore Hall in 2020.
Elena is a graduate of the Curtis Institute of Music and The Juilliard School. Notable teachers and mentors include Joseph Silverstein, David Cerone, Ida Kavafian, Pamela Frank, Claude Frank, Choong-Jin Chang, Soovin Kim, and Ferenc Rados. The outstanding instruments being used by Elena are an Alessandro Gagliano violin, Naples c. 1706, and a Nicolas Kittel bow, both on generous extended loan from the private collection of Dr. Charles E. King through the Stradivari Society of Chicago.
Elena has been practicing yoga since 2009 and received her RYT-200 hour certification from the Kripalu Center in June 2019. She is the co-founder of Intermission, a program that combines music, movement, and mindfulness, aiming to make music-making a healthier, more holistic practice for students and professionals alike through yoga and meditation.
Miscellaneous accomplishments include first prizes at the Sphinx and Sion International Violin Competitions; an inaugural Sphinx Medal of Excellence presented by Supreme Court Justice Sonia Sotomayor (they immediately bonded over their matching red formalwear); a 2022 BBC Music Magazine Award for THE JUKEBOX ALBUM; spreads in Latina and La Revista Mujer magazines; a 2020 Royal Philharmonic Society “Inspiration Award” and a 2021 RPS Enterprise Fund Trailblazer Grant for her #UriPosteJukeBox project with Tom Poster; a two-time Sphinx MPower Artist Grant winner; and the 2015 Brooklyn Film Festival’s Audience Choice and Best Original Score awards for But Not For Me, the independent feature film in which Elena acted as the lead female role. Writing is another passion for Elena — you can find many of her musings on her website’s blog.
In addition to her love for hiking in lush forests, swimming in the ocean, and marveling at the stars, Elena’s heart melts around corgis, vibrant vegetarian and southern Italian cooking, and beautifully crafted literature. She enjoys knitting the occasional scarf to keep her fingers busy on airplanes. Finally, Elena believes that we should all strive to spend less time looking at screens, that Oxford commas should be required, and that people should clap whenever they feel moved to do so during concerts.
Piano
Tom Poster
Tom Poster is a musician whose skills and passions extend well beyond the conventional role of the concert pianist. He has been described as “a marvel, [who] can play anything in any style” (The Herald), “mercurially brilliant” (The Strad), and as having “a beautiful tone that you can sink into like a pile of cushions” (BBC Music).
During the 2020 lockdown, his #UriPosteJukebox series with Elena Urioste – featuring Tom as pianist, arranger, multi-instrumentalist, writer, backing dancer and snowman – brought a staggeringly diverse selection of music to audiences across the world through 88 daily online performances, for which the duo won the Royal Philharmonic Society’s Inspiration Award. Their subsequent recording, The Jukebox Album, received glowing reviews and a BBC Music Magazine Award nomination.
Tom is co-founder and artistic director of Kaleidoscope Chamber Collective, appointed Associate Ensemble at Wigmore Hall in 2020. With a flexible line-up featuring many of today’s most inspirational musicians, and an ardent commitment to diversity through its creative programming, Kaleidoscope broadcasts regularly on BBC Radio 3 and has recently enjoyed residencies at the Aldeburgh, Cheltenham and Ischia festivals. Its debut album for Chandos Records, American Quintets, was awarded Editor’s Choice in Gramophone, and immediately led to an invitation to record a series of albums for the label.
Tom has performed over forty concertos from Mozart to Ligeti with Aurora Orchestra, BBC Philharmonic, BBC Scottish Symphony, Bournemouth Symphony, China National Symphony, Hallé, Philharmonia, Royal Philharmonic and Scottish Chamber Orchestra, collaborating with conductors such as Vladimir Ashkenazy, Nicholas Collon, Robin Ticciati and Yan Pascal Tortelier, or sometimes directing from the piano. He has premiered solo, chamber and concertante works by many leading composers, made multiple appearances at the BBC Proms, and his exceptional versatility has put him in great demand at festivals internationally.
Tom has recorded albums for BIS, Champs Hill, Chandos, Decca, Orchid and Warner Classics, appearing as soloist and in collaboration with Elena Urioste, Alison Balsom, Guy Johnston, the Aronowitz Ensemble, Aurora Orchestra, Britten Sinfonia and London Symphony Orchestra. He regularly features as soloist on film soundtracks, including the Oscar-nominated score for The Theory of Everything. He studied with Joan Havill at the Guildhall School of Music and Drama, and at King’s College, Cambridge. He won First Prize at the Scottish International Piano Competition 2007 and the keyboard section of the BBC Young Musician of the Year Competition in 2000.
Tom’s compositions and arrangements have been commissioned, performed and recorded by Alison Balsom, Matthew Rose, Yo-Yo Ma and Kathryn Stott. His chamber opera for puppets, The Depraved Appetite of Tarrare the Freak, received an acclaimed three-week run at Wilton’s Music Hall in 2017. He is a lifelong fan of animals with unusual noses.
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